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Kasper Sonne

Kasper Sonne is a Danish-born artist living and working in New York City and Copenhagen. He holds a BA from the Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation, and explores various art forms including painting, sculpture and installation. Sonne has exhibited widely at institutions and galleries internationally, including Palais de Tokyo, Paris; SAPS museum, Mexico City; SALTS, Basel; Den Frie – Centre of Contemporary Art, Copenhagen; Primo Piano, Paris; Bergen Kunsthall, Bergen; Seventeen Gallery, London; and Krinzinger Projekte, Vienna. He recently had a solo exhibition entitled "Zero Emotional Content" at The Hole, New York City. In 2014, Sonne will be featured in shows in Copenhagen, Utah, and Paris. His work has been featured in magazines such as Artforum, Art In America and Flash Art.

kaspersonne.com

Kasper Sonne is featured in Edition: Come & Play

All Information Is Subject To Change, Installation view, SALTS, Basel, (2013)
Kasper Sonne
All Information Is Subject To Change, Installation view, SALTS, Basel, (2013)
All Their Lies Are True, Installation View, Henningsen Gallery, Copenhagen, (2013)
Kasper Sonne
All Their Lies Are True, Installation View, Henningsen Gallery, Copenhagen, (2013)
Borderline (new territory) No. 15, (2013)
Kasper Sonne
Borderline (new territory) No. 15, (2013)
TXC10, (2013)
Kasper Sonne
TXC10, (2013)
Four Letter Words, (2006)
Kasper Sonne
Four Letter Words, (2006)
Untitled (my sin), (2009)
Kasper Sonne
Untitled (my sin), (2009)
Temporal Structure (xxx), (2009)
Kasper Sonne
Temporal Structure (xxx), (2009)
TXC06, (2013)
Kasper Sonne
TXC06, (2013)
Borderline (new territory) No. 9, (2012)
Kasper Sonne
Borderline (new territory) No. 9, (2012)
Untitled (escape), (2009)
Kasper Sonne
Untitled (escape), (2009)
Untitled Sign No. 2, (2008)
Kasper Sonne
Untitled Sign No. 2, (2008)
Untitled (body parts) No. 8, (2013)
Kasper Sonne
Untitled (body parts) No. 8, (2013)
Borderline (new territory) No. 16, (2013)
Kasper Sonne
Borderline (new territory) No. 16, (2013)
 
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