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ARTISTS IN THIS EDITION
Problem Painting, (2012). Copyright Urs Fischer. Courtesy of the artist and Gagosian Gallery. Photography by Mats Nordman
Untitled (Soft Bed), 2011. Copyright Urs Fischer. Courtesy of the artist and Gagosian Gallery. Photography by Mats Nordman
Problem Painting, (2012). Copyright Urs Fischer. Courtesy of the artist and Gagosian Gallery. Photography by Mats Nordman
SMITH / JOHNSON / WILLIAMS / JONES Calculator detail. Edition of 3. (2012) Copyright Urs Fischer. Courtesy of the artist and Gagosian Gallery. Photography by Josh White/JWPictures.com
Moore with plaster and polystyrene in progress for Large Spindle Piece and plaster working model for Spindle Piece, Plastic Studio, Perry Green, 1974. Photo copyright Errol Jackson
Working Model for Spindle Piece, 1968, bronze. Photo copyright Errol Jackson
Moore in 1967 with the travertine Two Forms, (1966). Yellow Brick Studio, Perry Green. Photo copyright John Hedgecoe
Maquette for Three Piece No. 3: Vertebrae, (1968), plaster. Copyright Henry Moore Foundation archive
Maquette for Seated Woman: Thin Neck, (1960), centre plaster with surface color, Bourne Maquette Studio, Perry Green. Photo copyright Mike Bruce
Four Piece Reclining Figure, plaster and bronze, both (1972). Photo copyright The Henry Moore Foundation archive
Britannia Street Installation- London Gagosian Gallery. Photography copyright Mike Bruce
Henry Moore mixing plaster beside Two Piece Reclining Figure No. 4 in progress, Perry Green, 1961. Photo copyright John Hedgecoe
Tête de femme, profil droit (Marie-Thérèse), (July 19, 1934). Copyright 2011 Estate of Pablo Picasso/ARS NY
Nu couché, (1932). Copyright 2011 Estate of Pablo Picasso/ARS NY
Marie-Thérèse coiffée d'un béret, (1930). Copyright 2011 Estate of Pablo Picasso/ARS NY
Marie-Thérèse accoudée, (1939). Copyright 2011 Estate of Pablo Picasso/ARS NY
Le baiser, (January 12, 1931). Copyright 2011 Estate of Pablo Picasso/ARS NY
Flipbook photographs of Marie-Thérèse Walter, (1930). Copyright Archives Maya Widmaier Picasso
Rauschenberg, Roy Lichtenstein, and Andy Warhol, New York, 1965. Copyright Bob Adelman/Magnum Photos
Installation view of exhibition at Gagosian Gallery- Madison Avenue, New York 2011
Ed Ruscha spread, Find Contact Lens at Bottom of Swimming Pool & Did Anyone Say Dreamboat?, both 1975. Copyright Ed Ruscha
Cy Twombly spread of Untitled crayon and paint works from 1954. Collection of Larry Gagosian. Copyright Cy Twombly Foundation
Alex Hay, Steve Paxton, and Rauschenberg rehearsing Spring Training, (1965), in Rauschenberg's Broadway studio, New York, 1965
Untitled, (1949). Copyright 1998 Kate Rothko Prizel and Christopher Rothko / ARS NY. Image courtesy of NGA Washington DC
Untitled, (1950). Copyright 1998 Kate Rothko Prizel and Christopher Rothko / ARS NY. Image courtesy of NGA Washington DC
Untitled watercolor, (1949). Copyright 2003 Kate Rothko Prizel and Christopher Rothko / ARS NY. Image courtesy of NGA Washington DC
Untitled (1941-42). Copyright 1998 Kate Rothko Prizel and Christopher Rothko / ARS, New York. Image courtesy of NGA, Washington DC
Untitled (Man and Two Women in a Pastoral Setting), c.1940. copyright 1998 Kate Rothko Prizel and Christopher Rothko / ARS, New York. Image courtesy of NGA, Washington DC
Sea Fantasy, (1946). Copyright 1998 Kate Rothko Prizel and Christopher Rothko / ARS NY. Image courtesy of NGA Washington DC
No. 8, (1949). Copyright 1998 Kate Rothko Prizel and Christopher Rothko / ARS NY. Image courtesy of NGA Washington DC
Hierarchical Birds, (1944). Copyright Kate Rothko Prizel and Christopher Rothko / ARS NY, Image courtesy of NGA Washington DC
Piotr on Couch, (1996)
Martin Creed, (1999)
Liam, (1996)
L.A. (E.P.), 2004
Kurt, (1995)
Jarvis on Bed, (1996)
Alizarin Kurt, (1995)
Star Dust of One Hundred Million Light Years, (1989). Copyright Yayoi Kusama Studio, Inc. Courtesy MoCA, Tokyo
Self-Obliteration by Dots (detail), 1968. Performance documented with black and white photographs by Hal Reiff. Copyright Yayoi Kusama Studio, Inc.; Courtesy Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; Gagosian Gallery, New York
Self-Obliteration Horse Play, (1967). Performance, Woodstock, New York. Copyright Yayoi Kusama Studio, Inc.; Courtesy Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; Gagosian Gallery, New York
Kusamas Orgy, vol. 1, no. 2, 1969. Copyright Yayoi Kusama Studio, Inc.; Courtesy Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; Gagosian Gallery, New York
Kusama in Infinity Mirror Room – Phalli’s Field (1965) at “Floor Show,” Castellane Gallery, New York. Copyright Yayoi Kusama Studio, Inc.; Courtesy Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; Gagosian Gallery, New York
Kusama in her studio, New York, c. 1965, with My Flower Bed, 1962. Copyright Musée national d-art moderne, Centre Georges Pompidou, Paris
Kusama in her studio, New York, (1963-64). Copyright Yayoi Kusama Studio, Inc.; Courtesy Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; Gagosian Gallery, New York
Kusama Fashion, (1968). Copyright Yayoi Kusama Studio, Inc.; Courtesy Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; Gagosian Gallery, New York
Infinity-Nets (NDTY), 2011. Courtesy Gagosian Gallery, New York (Acrylic on canvas 63 13/16 x 51 1/4 inches 162 x 130.3 cm)
Aftermath of Obliteration of Eternity, (2009). Installation view, PAC Milan, 2010. Copyright Yayoi Kusama Studio, Inc.; Courtesy Gagosian Gallery, New York
Untitled (King Ubu series IV), 1996. Photo by Oren Slor
World War III Around My Skull (1996-97). Photo by Orcutt & Van Der Putten
To be the knife as well as the wound (2003)
Picnic, (2009). Photo by Jessica Eckert
BQE/CRASH I, (2009). Photo by Tyler Campbell Wriston
Vampire Slayer/With a Body, (2009). Photo by Rita Ackermann
YAYOI KUSAMA, SO-EN, BUNKA PUBLISHING BUREAU
SHINYA UNOKI, KATIA, LATEEF MOTOHASHI, orange vol.5
SHIHO sweet TAKARAJIMASHA
CAMERON DIAZ, FraU, KODANSHA
We Don't Need Another Hero, 1986, billboard project. Artangel, London
Untitled, (Let Go) 2003. Copyright Barbara Kruger
Installation view, January 1991. Mary Boone Gallery. Photo by Zindman/Fremont
Installation view, January 1991, Mary Boone Gallery. Photo by Zindman/Fremont
Installation View, 2005, Gallery of Modern Art, Glasgow. Photo by Ruth Clark, 2005
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